After Eudora Welty returned to Jackson from New York to care for her dying father, she spent most of her life weeding and watering with her mother, browsing through seed catalogues and bulb bulletins, trekking through the swamp with a bottle of snake-venom antidote at her hip to find specimens for archipelagos of flowerbeds and planters. When her night-blooming cereus plant (“a naked, luminous, complicated flower,” she wrote in The Golden Apples) began hinting at exposing its fragile white buds each year, Welty would throw parties that would last from dusk until dawn in its honor. Her letters to friends tracked time by what was in bloom, what plants she could see from the window of the breakfast nook. “The sight of the garden and its scent!” Welty wrote in a section she edited from One Writer’s Beginning. “If work hasn’t proved it real, it would have been hallucination; in this sense gardening is akin to writing stories. No experience could have taught me more about grief or flowers, about achieving survival by going, young fingers in the ground, the limit of physical exhaustion.”
Night-Blooming Cereus Connections
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